Thursday, October 13, 2022
First Presbyterian Church
509 Pearl Ave, Joplin, MO 64801
7:00 PM
Join us for an evening with the dynamic, GRAMMY-nominated PUBLIQuartet! An ensemble that blends the classical idiom of the string quartet with the contemporary sounds of jazz, folk, rock, electronica, and improvisation, this innovative quartet will inspire our audiences with their creative and virtuosic performance!
The Program
Dig the Say (2012) Vijay Iyer (b. 1971)
I. carry the ball
IIa. this thing together
IIb. up from the ground
III. to live tomorrow
PUBLIQuartet – MIND | THE | GAP: Pavement Pounding Rose (2019)
Improvisations on Fats Waller’s “Honeysuckle Rose”
CARDS 11-11-2020 (2020) Roscoe Mitchell (b. 1940)
PUBLIQuartet – MIND | THE | GAP: What Is American? (2016)
Improvisations on Antonin Dvorak’s “American” Quartet, Op. 96
At the Purchaser’s Option (2021) Rhiannon Giddens (b. 1977), arr. PUBLIQuartet
PUBLIQuartet – MIND | THE | GAP: Free Radicals (2021)
Improvisations on “Law Years” and “Street Woman” by Ornette Coleman
PUBLIQuartet – MIND | THE | GAP: Wild Women Don’t Get the Blues (2021)
Improvisations on music by Tina Turner, Betty Davis, Alice Coltrane, and Ida Cox
PUBLIQuartet is represented by Concert Artists Guild
More About the Ensemble
PUBLIQuartet
Applauded by The Washington Post as “a perfect encapsulation of today’s trends in chamber music,” and by The New Yorker as “independent-minded,” the GRAMMY nominated PUBLIQuartet’s modern interpretation of chamber music makes them one of the most dynamic artists of their generation. Dedicated to presenting new works for string quartet, PUBLIQuartet rose on the music scene as winner of the 2013 Concert Artists Guild’s New Music/New Places award, and in 2019 garnered Chamber Music America’s prestigious Visionary Award for outstanding and innovative approaches to contemporary classical, jazz, and world chamber music. PQ’s genre-bending programs range from 20th century masterworks to newly commissioned pieces, alongside re-imaginations of classical works featuring open-form improvisations that expand the techniques and aesthetic of the traditional string quartet.
PUBLIQuartet has served as artist-in-residence at top institutions including the Metropolitan Museum of Art and National Sawdust and has appeared at a wide variety of venues and festivals, from Carnegie Hall and the Newport Jazz Festival to The Late Show with Stephen Colbert. Their latest album, the GRAMMY-nominated Freedom and Faith, debuted atop the Billboard Classical Charts in May 2019. The 2019-2020 season brings a diverse array of programs to venues across the United States and abraod, including an appearance at the String Quartet Biennale in Amsterdam.
PUBLIQuartet’s commitment to supporting emerging composers inspired their innovative program, PUBLIQ Access, which promotes emerging composers and presents a wide variety of under-represented music for string quartet–from classical, jazz and electronic, to non-notated, world and improvised music. Other unique projects include MIND|THE|GAP, a series of group-composed works developed by PQ to generate interest in new music while also engaging traditional classical music audiences. These unique creations range from “Bird in Paris” (Claude Debussy meets Charlie Parker) to more recent extended works including “What Is American?” (an exploration of Dvorak’s beloved “American” String Quartet) and Sancta Femina (based on themes by three medieval and baroque female composers).
Founded in 2010, PUBLIQuartet is currently based in New York City.
www.publiquartet.com
COVID-19 Safety Information
This event is MO ArtSafe certified. Click here to learn more about our safety protocols.
• Pro Musica encourages patrons to wear a mask throughout the event.
• All guests will follow any seating or distancing guidance conveyed by ushers or staff, such as designated seating areas and pathways for entering, exiting, etc.
• If you do not feel well and/or exhibit symptoms matching those for COVID-19, you agree to remain at home.
• All guests agree to indemnify, defend, and hold harmless Pro Musica from and against any and all costs, expenses, damages, claims, lawsuits, judgments, losses, and/or liabilities (including attorney fees) arising directly or indirectly from, or related to, any and all claims due to bodily injury, death, loss of use, monetary loss, or any other injury from or related to the event generally, as well as in regards to any circumstances related to COVID-19.
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