Thursday, October 29, 2026


Location: Harry Cornell Art & Entertainment Complex

Time: 7:00PM


More about Verona Quartet

The Verona Quartet is recognized as a premier ensemble of its generation, praised by The New York Times as an “outstanding ensemble… cohesive yet full of temperament.” Recipients of the 2020 Chamber Music America Cleveland Quartet Award and the Fischoff National Chamber Music Association’s 2025 Educator Award, the ensemble has earned a reputation for its “bold interpretive strength” (Calgary Herald) and “opulent sonority” (The Strad). The Quartet serves on the faculty of Oberlin College and Conservatory as Quartet-in-Residence and as Artistic Directors of the Lunenburg Academy of Music Performance. The ensemble’s rise to international prominence was fueled by a swift succession of top prize wins at Wigmore Hall, Melbourne, Osaka, M-Prize, and Fischoff International Chamber Music Competitions, as well as the 2015 Concert Artists Guild Competition.

A string quartet for the 21st century, the Verona Quartet pairs versatile programming with imaginative collaborations that bridge the time-honored canon and new, interdisciplinary works. Notable commissions and premieres include works by composers Christopher Theofanidis, Julia Adolphe, Texu Kim, and Sebastian Currier, as well as Michael Gilbertson’s Pulitzer Prize-nominated Quartet. The Quartet recently celebrated several world premieres, including a work for string quartet, yangqin (Chinese dulcimer), and dancer by Cheng Jin Koh, commissioned by The Smithsonian Institution in honor of the centennial of the Freer Gallery of Art. The 2025 season marks the launch of a new project with American tenor Ben Bliss, featuring the American Songbook alongside art song literature. Past ventures highlight the group’s versatility, ranging from live-performance art installations with artist Ana Prvački to collaborations with the GRAMMY-winning folk trio I’m With Her.

Mr. Bliss was most recently praised as “a peer of the best Toms in the opera’s seven-decade history” (Voix des Arts) in The Rake’s Progress at the Metropolitan Opera. The 2026–27 season sees him at the Berlin Staatsoper Unter den Linden as the Duke of Mantua in Rigoletto, returning to the Bayerische Staatsoper Munich as Alfredo in La Traviata, and at the Metropolitan Opera as Nikolaus Sprink in Kevin Puts’s Silent Night. He also makes his role debut as Tamino in Die Zauberflöte at the Gran Teatre del Liceu Barcelona, joins the Boston Symphony Orchestra at Tanglewood for Beethoven’s Ninth, and gives recitals at the Park Avenue Armory and Cal Performances.


Thursday, February 11, 2027


Location: Harry Cornell Art & Entertainment Complex

Time: 7:00PM


More about Manhattan Chamber Players

The Manhattan Chamber Players are a chamber music collective of New York-based musicians who share the common aim of performing the greatest works in the chamber repertoire at the highest level.  Formed in 2015 by Artistic Director and violist Luke Fleming, MCP is comprised of an impressive roster of musicians who all come from the tradition of great music making at the Marlboro Music Festival, Steans Institute at Ravinia, Music@Menlo, Yellow Barn Chamber Music Festival and Perlman Music Program, and are former students of the Curtis Institute, Juilliard School, Colburn School, and the New England Conservatory.

MCP has been praised in Strings Magazine for “A fascinating program concept…It felt refreshingly like an auditory version of a vertical wine tasting.” The article went on to applaud MCP for “an intensely wrought and burnished performance…Overall, I wished I could put them on repeat.” At the core of MCP’s inspiration is its members’ joy in playing this richly varied repertoire with longtime friends and colleagues, with whom they have been performing since they were students.  As stated by The Boston Music Intelligencer: “This ensemble’s nature and practices constitute proof against complacency and stagnation. They achieved as precise ensemble as you’d ever want to hear.

”Its roster allows for the programming of the entire core string, wind, and piano chamber music repertoire—from piano duos to clarinet quintets to string octets.  While all its members have independent careers as soloists and chamber musicians, they strive for every opportunity to come together and again share in this special collaboration, creating “a mellifluous blend of vigorous intensity and dramatic import, performed with enthusiasm, technical facility and impressive balance, relishing distinctions…a winning performance.” (Classical Source)

Members of MCP are current and former members of the Chamber Music Society of Lincoln Center, Ensemble Connect, and the Aizuri, Attacca, Dover, Escher, Vega, and Ying Quartets, the Aletheia, Appassionata, and Lysander Piano Trios, and Imani Winds.  They are top prizewinners in the Banff, Concert Artists Guild, Fischoff, Melbourne, Naumburg, Osaka, Primrose, Queen Elisabeth, Rubinstein, Tchaikovsky, Tertis, and Young Concert Artists Competitions, and are some of the most sought after solo and chamber performers of their generation.  The Manhattan Chamber Players have been featured multiple times on NPR’s Performance Today, and is the Ensemble-in-Residence at both the Festival de Febrero in Mexico and the Crescent City Chamber Music Festival in New Orleans. In addition to its numerous concerts across the U.S., Canada, and Mexico, MCP regularly tours in Asia and the Middle East, and has led chamber music residency programs at institutions throughout the U.S. and abroad.


Sunday, March 7, 2027


Location: Harry Cornell Art & Entertainment Complex

Time: 3:00PM


More about Casals Quartet

“Cultured sound, fine balance and warmer emotional environment” (Financial Times)
“Refined performances… particularly vivid and intense” (The Guardian)

Cuarteto Casals, a leading force in international chamber music, has established itself as one of the foremost string quartets after nearly three decades of its journey. Founded in 1997 at the Escuela Reina Sofía in Madrid, Cuarteto Casals has become a regular guest at many of the world’s most prestigious concert halls, including Carnegie Hall in New York, the Berlin Philharmonie, Cité de la Musique and Philharmonie de Paris, Vienna’s Konzerthaus and Musikverein, Amsterdam’s Concertgebouw, and Suntory Hall in Tokyo.

Their profound devotion to the heart of every work is reflected in a discography of around twenty albums for the Harmonia Mundi label, spanning works by Bach, Haydn, Mozart, Schubert, Brahms, the complete Beethoven quartets, as well as 20th-century masters such as Debussy, Ravel, Bartók, and Ligeti.

A prize from the prestigious Borletti-Buitoni Trust in London enabled the group to assemble a unique collection of matching Baroque and Classical bows, used in repertoire from Bach to Beethoven, a reflection of their deep commitment to stylistic diversity. Their historically informed performances bring nuance across eras, while their artistry has also been profoundly shaped by long standing engagement with living composers. They have maintained a close relationship with György Kurtág and premiered quartets by leading Spanish composers, including a concerto for string quartet and orchestra by Francisco Coll with the Orquesta Nacional de España, alongside commissions from Mauricio Sotelo, Benet Casablancas, Dahoud Salim, Lucio Amanti, Elisenda Fábregas, Aureliano Cattaneo, and Matan Porat.

In the 2025/2026 season, they embark on a landmark project: performing the complete Shostakovich string quartets, presented both in recordings and in full live cycles worldwide. The season also features tours across North America as well as extensive performances across Europe, with concerts at renowned venues such as Pierre Boulez Saal in Berlin, Gulbenkian in Lisboa, Wigmore Hall in London, Konserthus in Stockholm, String Quartet Biennial Amsterdam in Amsterdam and Musikverein in Vienna.

In parallel with their concert activity, the quartet is deeply engaged in pedagogy, holding residencies at the Scuola di Musica di Fiesole, the Escola Superior de Música de Catalunya, and the Koninklijk Conservatorium Den Haag. They have been honored with Spain’s National Music Award, Catalonia’s National Culture Award, and the City of Barcelona Prize. They have also had the rare honor of performing on the legendary Stradivarius instruments at the Royal Palace in Madrid, and in recognition of their artistic excellence and enduring legacy, they were awarded the Medal of Honor by Reina Sofía of Spain. Furthermore, they proudly serve as cultural ambassadors for the Generalitat de Catalunya and the Institut Ramon Llull.

Colombian cellist Santiago Cañón-Valencia is a prolific soloist, composer, commissioner, recording artist, painter, and photographer described as “technically flawless… totally under the skin of the composers’ idioms” (The Strad). He was named a BBC New Generation Artist in 2022. Born in Bogotá in 1995, Cañón-Valencia made his orchestral debut as a soloist with the Orquesta Filarmónica de Bogotá at age six, blossoming into an accomplished musician praised as “an artist from whom sound and texture flow with ease and authenticity” (The Whole Note) and a “virtuoso of outstanding versatility and technical ease” (The Violin Channel).

For the 2025-2026 season, Cañón-Valencia takes on an international schedule, with engagements across the United States, Europe, and Latin America. Following summer concerto performances at Brevard Music Center, and with Orquesta Filarmónica de Bogotá in his native Colombia, he takes on a European schedule including solo recitals in Spain and Portugal, a performance with the Macedonian Philharmonic, and a seat on the jury for the Budapest International Cello Competition. In the United States, Cañón-Valencia is featured as a soloist with the San Francisco Symphony, Kansas City Symphony, Montgomery Symphony Orchestra, Grand Rapids Symphony, and Camerata Pacifica. He also performs in recitals with pianist Victor Asuncion in Stanford and La Jolla, CA. His Latin American schedule takes him to the Puerto Rico Symphony, as well as the Festival de Música de Morelia in Mexico, and the Cartagena Music Festival in Colombia.

Cañón-Valencia’s many accolades include Silver Medalist and “Audience Favorite” at the 2019 XVI International Tchaikovsky Competition; recipient of the 2018 Starker Foundation Award; Third Prize honoree at the 2017 Queen Elisabeth International Competition; and First Prize winner at the Carlos Prieto International Cello Competition and Beijing International Music Competition, among many others.

His solo career has taken him around the world to perform with such orchestras as the SWR Symphonieorchester, BBC Symphony Orchestra, Brussels Philharmonic, Frankfurt Radio Orchestra, Saint Petersburg Philharmonic Orchestra, Seoul Philharmonic Orchestra, Belgrade Philharmonic, Vienna Radio Symphony Orchestra, BBC National Orchestra of Wales, Antwerp Symphony, Ulster Orchestra, Orquesta Sinfónica de Galicia, and RTVE Symphony Orchestra, as well as all of the major orchestras in his native Colombia. During the 2023-2024 season, he made his debut at London’s Wigmore Hall as a BBC Next Generation Artist alongside pianist Naoko Sonoda. He has been featured at South Korea’s Mostly Cello Festival and in 100th birthday celebrations in honor of Janos Starker in Seoul, South Korea, and Tokyo, Japan. Over recent seasons, his North American schedule has taken him to performances with orchestras including the Phoenix Symphony and Alabama Symphony.

Passionate about collaboration with living composers, Cañón-Valencia will perform the world premiere of Amparo Angel’s Cello Concerto at the Morelia Festival in Mexico, as well as the US premiere of Tobias Picker’s Cello Concerto with the Montgomery Symphony. Previously, he performed world premieres including Carlos Andrés Mejía’s Cello Concerto, “Aurora” at Colombia’s Pereira Music Fest, Jorge Pinzón’s Cello Concerto “Rapsodia a los 4 Elementos” at the Cartagena International Music Festival, and Carlos Izcaray’s commissioned cello concerto “Stringmaster” with the Alabama Symphony Orchestra. He also gave the Colombian premiere of Ginastera’s Cello Concerto No. 2 with the National Symphony Orchestra of Colombia.

As a recording artist, Cañón-Valencia enjoys immersing himself in known and unknown works, particularly in commissioning new pieces, arranging, and composing. In 2024, he released his debut single on Deutsche Grammophon, a recording of Arvo Pärt’s “Fratres” with pianist Naoko Sonoda, as part of the label’s Musical Moments series. Two additional singles will follow, including the release of his own composition titled “Ouróboros” . His latest complete album, Ascenso, was released in November 2022 on Sono Luminus, showcases pieces arranged and written by himself, plus works commissioned and written for him by contemporary Colombian composers. Earlier recordings include his acclaimed debut release Solo, an album with pianist Andrea Lucchesini dedicated to Schubert and Beethoven for the Egea label, and an album of Russian cello sonatas and popular pieces from the cello repertoire with pianist Katherine Austin for the Atoll label.

Cañón-Valencia’s primary musical mentors have been Henryk Zarzycki in Colombia, James Tennant in New Zealand, Andres Diaz in the United States, and Wolfgang Emanuel Schmidt at the Kronberg Academy in Germany. He has been sponsored by the Mayra & Edmundo Esquenazi Scholarship through the Salvi Foundation since 2011.


Sunday, April 4, 2027


Location: MSSU Taylor Auditorium

Time: 7:00PM


More about Chanticleer

The GRAMMY® Award-winning vocal ensemble Chanticleer is known around the world as “an orchestra of voices” for its wide-ranging repertoire and dazzling virtuosity. Founded in San Francisco in 1978 by singer and musicologist Louis Botto, Chanticleer quickly took its place as one of the most prolific recording and touring ensembles in the world, selling more than one million recordings and performing thousands of live concerts to audiences around the globe.

Rooted in the Renaissance, Chanticleer’s repertoire has been expanded to include a wide range of classical, gospel, jazz and popular music and to reflect a deep commitment to the commissioning of new compositions and arrangements. The ensemble has dedicated much of its vast recording catalogue to these commissions, garnering GRAMMY® Awards for its recordings of Sir John Tavener’s Lamentations & Praises and the ambitious collection of commissioned works entitled Colors of Love. Chanticleer is the recipient of Chorus America’s Dale Warland Singers Commission Award and the Chorus America/ASCAP Award for Adventurous Programming. During his tenure with Chanticleer, Music Director Emeritus Joseph H. Jennings received the Chorus America Brazeal Wayne Dennard Award for his contribution to the African American choral tradition.

Named for the “clear-singing” rooster in Geoffrey Chaucer’s Canterbury Tales, Chanticleer continues to maintain ambitious programming in its hometown of San Francisco, including a large education and outreach program, and an annual concert series that includes its legendary holiday tradition, A Chanticleer Christmas.

Chanticleer—a 501(c)(3) non-profit corporation—is the current  recipient of major grants from the National Endowment for the Arts, San Francisco Grants for the Arts, Bloomberg Philanthropies, The Bob Ross Foundation, Dunard Fund USA, E. Nakamichi Foundation, Mid Atlantic Arts, and the Negaunee Foundation. Chanticleer’s activities as a not-for-profit corporation are supported by its administrative staff and Board of Trustees.